Favorite Cover Song

Normally I’m not a big fan of cover songs; there are few I actually like. But it just so happens that my favorite cover song is one that I really love. It’s not like I dubbed it my favorite just because it’s the least crappy of the options. I really do love this cover song (did I already mention that?). Not surprisingly, the original and cover artists are two of my favorite bands, Led Zeppelin and TOOL (yes, I intend to use all caps when referencing TOOL, they’re that awesome).

I fell in love with Led Zeppelin when I was 11 years old. There was no courting period; it wasn't necessary - it was truly love at first listen. I was totally hooked, and have been ever since. During middle school and high school I always had trouble falling asleep at night, so I would lie in bed and listen to music through headphones for hours in the dark. It was during those nightly rendezvous that I became enamored with the many different compositions by the rock n’ roll heroes of a past generation. I listened to the songs so many times that I memorized every note and nuance, and even learned exactly where the slightest background studio noises occurred in the recordings.

I fell in love with TOOL just a couple years later. TOOL’s sound is described most often as progressive or industrial rock. I loved the band’s sound, loved their use of interesting time signatures, and loved Danny Carey’s unique and masterful drumming. But mostly I fell head over heels (instantly) for Maynard James Keenan’s voice. It bursts with emotion, and when I hear him sing I am impressed and inspired by his ability to so successfully communicate sentiment.

When I found out that TOOL had recorded a cover version of Led Zeppelin’s No Quarter, I was a little nervous (check out Led Zeppelin's recorded version and TOOL's recorded cover version). I loved both bands and the song so much that I was afraid I’d be hugely disappointed if the cover version didn’t meet my expectations. I would have been really bummed if one of my favorite bands had totally screwed up their cover of one of my favorite Led Zeppelin songs. Not that the world would have stopped turning, but I would have been disillusioned by a No Quarter cover that was less than impressive, especially when I admire TOOL’s ability and have such high expectations of them.

Led Zeppelin and TOOL have decidedly different styles and sounds. But it’s amazing how TOOL was able to accurately capture the timbre and mood of the song while also imprinting it with their unique style. The piano and keyboards that aid in creating a psychedelic feel in the original are replaced by acoustic and electric guitars in the cover. At the beginning of TOOL’s version, effects are used on both the guitar and Keenan’s voice to mimic the synthesized instrumentation of the original version. The vital role of dynamics is beautifully reflected in the cover. TOOL also made some lyrical changes that I believe are in keeping with their comparably more intense style. Robert Plant’s lyrics, “Close the door, put out the light” are changed by Keenan to “Lock the door, kill the light.” Yet the cover version shows great reverence to the original, respecting its beauty and scope. I liked TOOL’s version the first time I heard it, but it took multiple listens before I was able to fully appreciate just how good it is.

I think TOOL’s version of this Led Zeppelin classic is the best-executed cover I have ever heard. I strongly recommend that you listen to both versions the way I listened to the original when I was 11 – in the dark, through headphones.

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What's In a Name?

Why did I name my blog Beauty in the Dissonance? I don't really have a good reason. Who cares what my blog is called, anyway? Just for the record, though, here's the explanation. It's a nod to TOOL, one of my favorite bands (the line finding beauty in the dissonance is from the song Schism). But it also describes something that I've always found difficult to put into words. Recently I've had numerous discussions about music with a friend of mine, and I've been trying to describe to him that when it comes to music, I feel there needs to be an element of darkness as well as light; I think that the contrast itself provides more drama and beauty. Whether it's a stunning melody tempered by obnoxious lyrics or a subtle integration of inharmonious tones, I think that by including the "ugly" with the beautiful, the entire piece achieves a level it would otherwise not reach.

According to Frank Zappa:

"Any composition (or improvisation) which remains consistent and 'regular' throughout is, for me, equivalent to watching a movie with only 'good guys' in it, or eating cottage cheese."

Now, I realize that not everyone would consider Frank Zappa an artist to take cues from. But basically he's saying that using only consonant sounds does not necessarily make a piece of music enjoyable for the listener (and may cause an inexplicable craving for cottage cheese). There needs to be a careful balance between consonance and dissonance that creates interest in the piece and gives it substance and a story.

I don't think that every piece of music needs to include only what is pleasing to the ear. Don't get me wrong, there are plenty of things I would not volunteer to listen to. I don't think that the obnoxious fire alarm in my building at work would make a nice dissonant component to a song. But to put it simply, there are many instances where, when done in an interesting way, dissonance does enhance a song's beauty and impact.

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