Favorite Cover Song

Normally I’m not a big fan of cover songs; there are few I actually like. But it just so happens that my favorite cover song is one that I really love. It’s not like I dubbed it my favorite just because it’s the least crappy of the options. I really do love this cover song (did I already mention that?). Not surprisingly, the original and cover artists are two of my favorite bands, Led Zeppelin and TOOL (yes, I intend to use all caps when referencing TOOL, they’re that awesome).

I fell in love with Led Zeppelin when I was 11 years old. There was no courting period; it wasn't necessary - it was truly love at first listen. I was totally hooked, and have been ever since. During middle school and high school I always had trouble falling asleep at night, so I would lie in bed and listen to music through headphones for hours in the dark. It was during those nightly rendezvous that I became enamored with the many different compositions by the rock n’ roll heroes of a past generation. I listened to the songs so many times that I memorized every note and nuance, and even learned exactly where the slightest background studio noises occurred in the recordings.

I fell in love with TOOL just a couple years later. TOOL’s sound is described most often as progressive or industrial rock. I loved the band’s sound, loved their use of interesting time signatures, and loved Danny Carey’s unique and masterful drumming. But mostly I fell head over heels (instantly) for Maynard James Keenan’s voice. It bursts with emotion, and when I hear him sing I am impressed and inspired by his ability to so successfully communicate sentiment.

When I found out that TOOL had recorded a cover version of Led Zeppelin’s No Quarter, I was a little nervous (check out Led Zeppelin's recorded version and TOOL's recorded cover version). I loved both bands and the song so much that I was afraid I’d be hugely disappointed if the cover version didn’t meet my expectations. I would have been really bummed if one of my favorite bands had totally screwed up their cover of one of my favorite Led Zeppelin songs. Not that the world would have stopped turning, but I would have been disillusioned by a No Quarter cover that was less than impressive, especially when I admire TOOL’s ability and have such high expectations of them.

Led Zeppelin and TOOL have decidedly different styles and sounds. But it’s amazing how TOOL was able to accurately capture the timbre and mood of the song while also imprinting it with their unique style. The piano and keyboards that aid in creating a psychedelic feel in the original are replaced by acoustic and electric guitars in the cover. At the beginning of TOOL’s version, effects are used on both the guitar and Keenan’s voice to mimic the synthesized instrumentation of the original version. The vital role of dynamics is beautifully reflected in the cover. TOOL also made some lyrical changes that I believe are in keeping with their comparably more intense style. Robert Plant’s lyrics, “Close the door, put out the light” are changed by Keenan to “Lock the door, kill the light.” Yet the cover version shows great reverence to the original, respecting its beauty and scope. I liked TOOL’s version the first time I heard it, but it took multiple listens before I was able to fully appreciate just how good it is.

I think TOOL’s version of this Led Zeppelin classic is the best-executed cover I have ever heard. I strongly recommend that you listen to both versions the way I listened to the original when I was 11 – in the dark, through headphones.

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A Favorite

My friend and co-worker, Mike, suggested I write about my favorite songs. Like maybe a Top Ten list or something. (This suggestion has me under the sneaking suspicion that he is secretly reporting for Rolling Stone magazine.) There are so many songs I love for various reasons. I have favorite songs to listen to when I’m feeling particularly irritated, favorite songs for when I’m depressed, happy, relaxed, or mildly homicidal. I have favorite acoustic guitar songs, favorite piano songs, favorite metal songs, favorite orchestral songs…Choosing just one as an overall favorite doesn’t seem right (or possible) to me. Also, I decided to write about songs one at a time (and in no particular order), because I don’t have the time to get a Top Ten list together right now. If you would have preferred the list, just fake it by waiting until I’ve posted a few and then read them all at once.

My favorite Beatles song is Eleanor Rigby, which was released on the Revolver album in 1966. The arrangement is simple, but absolutely stunning. The first time I heard this song as a kid, I fell in love with it immediately. When I was a bit older, it helped to cement my desire to learn to play the cello (which I eventually did). People are usually surprised when I say that Eleanor Rigby is my favorite Beatles song, I guess just because there are so many good ones to choose from.

About the arrangement: Eleanor Rigby does not have a standard pop backing; none of the Beatles played instruments on it, though John Lennon and George Harrison did contribute harmony and backing vocals. Instead, McCartney used a string octet of studio musicians, composed of four violins, two cellos, and two violas all performing a score composed by producer George Martin. For the most part, the instruments "double up"—that is, they serve as two string quartets with two instruments playing each part in the quartet. Microphones were placed close to the instruments to produce a more vivid and raw sound. George Martin asked the musicians if they could play without vibrato and recorded two versions, one with and one without, the latter of which was used. (Copyright - 1966 EMI Records Ltd.)

Unfortunately I am not able to post a proper sound file for this song; I had to link to a YouTube video, sorry (believe it or not, it's the least annoying one).

Ah, look at all the lonely people
Ah, look at all the lonely people

Eleanor Rigby picks up the rice in the church where a wedding has been
Lives in a dream
Waits at the window, wearing the face that she keeps in a jar by the door
Who is it for?

All the lonely people
Where do they all come from?
All the lonely people
Where do they all belong?

Father McKenzie writing the words of a sermon that no one will hear
No one comes near
Look at him working. Darning his socks in the night when there's nobody there
What does he care?

All the lonely people
Where do they all come from?
All the lonely people
Where do they all belong?

Ah, look at all the lonely people
Ah, look at all the lonely people
Eleanor Rigby died in the church and was buried along with her name
Nobody came
Father McKenzie wiping the dirt from his hands as he walks from the grave
No one was saved

All the lonely people
Where do they all come from?
All the lonely people
Where do they all belong?

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